Alex Loveless - a visual artist - talks about healing powers of creativity and provides practical tips, based on his own experience, for using the creative process for the upkeep of mental health and therapy for mental illness. Alex discusses putting the creative journey at the centre of life for artists, art lovers, the art curious, and anyone with an interest in mental health and mental illness.
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Alex Loveless
Alex goes deep, discussing the role of novelty and scarcity in art, how beauty emerges from complexity, and how diversity is essential for creativity to exist. The question is, how does all that relate to Lego, James Joyce, sports cars, John Carpenter’s The Thing, and perms.
Alex reflects on how, during these turbulent times, art is more important than ever to help us cope, express our views, connect with society, and ultimately help us maintain our mental wellness and that of those around us.
Alex explains how problem solving is central to the practise of creativity via mathematical proofs and magicians in this long awaited second part of the How to be Creative series.
Alex gets all meta and talks about his latest episode, ChatGPT and the challenges and delights of podcasting, all recorded (badly) while he walks through some woodland!
Alex explains the concept of voice in creativity, how to find your artistic voice and why it’s so important
Alex talks candidly about his recent resurgence of mental illness, what happened to cause it, and how he intends to fight back with the help of, you guessed it, art!
Alex kicks off a new series of a yet unknown number of episodes on creativity. He explores the nature of creativity using examples from the world of jazz, introducing the core concepts that will be covered in upcoming episodes.
Alex talks about his move to a new house and studio, how such transitions affect his mental health and how it’s essential to make space and time for your creative therapy during times of transition.
Alex challenges the dangerous myth that suffering is essential for artistic creation, emphasizing that while art can reflect personal pain, it should not be a cause of suffering. Drawing on examples from Van Gogh to Kurt Cobain, he passionately argues against expecting artists to endure pain for art’s sake, advocating instead for recognizing art as a means of healing and self-regulation.